Content
Editor’s Note on The Authentic Idea
Ho leng
The flesh of experience: Four thoughts on authenticity
Nadia Oliva
DATAERROR: Where is the glitch in the age of new media?
Myrto Katsimicha
Invisible Cities: Authentic Embodied
Galen Gibson-Cornell
Playing around with Plutonium
Mark Rainey
Postcards from Home
Thomas Mader
ECLECTICISM of Tomboy
Roberta Palma
Uncertain Regard
Reality, or, the Cinema of Uncertainty
Kenneth Tay
Authentic in place: the importance of embodied practice
Katherine Stansfeld
Whorled Explorations make a whole new (art) world
The Kochi-Muziris Biennale 2014/15
Kristina Schrei
The Rain is a Mistake. (I)&(II)
Sur une proposition originale de Florent Lamouroux
Delphine Pouillé
Ex – Yu region on Viennese contemporary scene
[a personal perspective]
Nevena Jankovic
Nurturing your inner rhythm
Wil Kolen
In Within, PART I
Investigations about the relationship between Atmospheres and Emotions
Debby Yu
NEAR FUTURES
Elise Hunchuck
Light is the most authentic interpretation an object could get.
Romana Maria Egartner
The subversive copy
David Pujadas Bosch
Editor’s Note on The Authentic Idea
Ho leng
The flesh of experience: Four thoughts on authenticity
Nadia Oliva
DATAERROR: Where is the glitch in the age of new media?
Myrto Katsimicha
Invisible Cities: Authentic Embodied
Galen Gibson-Cornell
Playing around with Plutonium
Mark Rainey
Postcards from Home
Thomas Mader
ECLECTICISM of Tomboy
Roberta Palma
Uncertain Regard
Reality, or, the Cinema of Uncertainty
Kenneth Tay
Authentic in place: the importance of embodied practice
Katherine Stansfeld
Whorled Explorations make a whole new (art) world
The Kochi-Muziris Biennale 2014/15
Kristina Schrei
The Rain is a Mistake. (I)&(II)
Sur une proposition originale de Florent Lamouroux
Delphine Pouillé
Ex – Yu region on Viennese contemporary scene
[a personal perspective]
Nevena Jankovic
Nurturing your inner rhythm
Wil Kolen
In Within, PART I
Investigations about the relationship between Atmospheres and Emotions
Debby Yu
NEAR FUTURES
Elise Hunchuck
Light is the most authentic interpretation an object could get.
Romana Maria Egartner
The subversive copy
David Pujadas Bosch
Acknowledgement
For all their invaluable friendship and intellectual content, I would like to thank my friends from the art world for contributing to the 1st Issue of 7x8curators Magazine. Tomboy for his cover page artwork ‘Silence’, Delphine Pouillé for her artistic intervention amidst the pages titled ‘The Rain is a Mistake’, the belletristic articles contextualized and written by Nadia Oliva, Myrto Katsimicha, Galen Gibson-Cornell, Mark Rainey, Thomas Mader, Roberta Palma, Kenneth Tay, Katherine Stansfeld, Kristina Schrei, Nevena Jankovic, Wil Kolen, Debby Yu, Elise Hunchuck, Romana Maria Egartner, David Pujadas Bosch, and lastly Anonymous from New York for a hidden letter which portrays the cathartic voice to this group of literati.
Viele Dank!
X,
Holeng
For all their invaluable friendship and intellectual content, I would like to thank my friends from the art world for contributing to the 1st Issue of 7x8curators Magazine. Tomboy for his cover page artwork ‘Silence’, Delphine Pouillé for her artistic intervention amidst the pages titled ‘The Rain is a Mistake’, the belletristic articles contextualized and written by Nadia Oliva, Myrto Katsimicha, Galen Gibson-Cornell, Mark Rainey, Thomas Mader, Roberta Palma, Kenneth Tay, Katherine Stansfeld, Kristina Schrei, Nevena Jankovic, Wil Kolen, Debby Yu, Elise Hunchuck, Romana Maria Egartner, David Pujadas Bosch, and lastly Anonymous from New York for a hidden letter which portrays the cathartic voice to this group of literati.
Viele Dank!
X,
Holeng